The New York Rock Ensemble – Freedomburger (1972)
Artist: The New York Rock Ensemble
Title: Freedomburger
Year: 1972
Format: LP
Label: Columbia
The fifth and last album by The New York Rock N Roll Ensemble, who by the early seventies were now calling themselves The New York Rock Ensemble.
The album is an unremarkable collections of songs including a remake of Procal Harum’s “A Whiter Shade Of Pale”. After recording was completed on the album, the band embarked on a tour to support the release of the album, and soon after, disbanded
Group leader Michael Kamen went on to release his solo LP “New York Rock” with fellow band mate Dorian Rudnytsky and other musicians including David Sanborn, Larry Packer, Dennis Whitted and Hank DeVito. (Jack Dominilla)
Track Listing
- More Like The Master
- Magic Lady
- I’m Sending A Friend To You
- Kiss Your Future
- A Whiter Shade Of Pale
- Willow Tree
- Shuffle
- Barrell Full Of Wine
- Carry Me Up
- Roll Over
- Raise Your Barriers
- Goodnight Irene
The Electric Prunes – Just Good Old Rock And Roll (1969)
Artist: The Electric Prunes
Title: Just Good Old Rock And Roll
Year: 1969
Format: LP
Label: Reprise
The biggest mistake producer David Hassinger made on this release was retaining (actually re-using) the Electric Prunes moniker. Time and again, we have seen where major changes in personnel, coupled with drastic shifts in direction, yet still hanging on to a once glorious name, has spelled disaster for an album for so many reasons.
Most of those same reasons apply here. Neither any original band members, nor anything resembling their previous sound remain. Producer Hassinger has saddled his hastily assembled unit with something they obviously have little interest living up to.
What one needs to do, is think of this outfit as just another band, that happens to have the same name, and the same producer, and the same label, as another band, but is completely different in every other way, and you can begin to appreciate this record on it’s own merits. I find the title entirely appropriate, as there are no psych influences present at all.
Rather, we get western tinged rock, and not nearly as bad as predicted, featuring mild prog influences on some cuts, vocal duets, guitar with wah-wah, piano, but sometimes shaky and uninspired song writing. (tymeshifter RYM)
Track Listing
- Sell
- 14 Year Old Funk
- Love Grows
- So Many People To Tell
- Finders Keepers, Losers Weepers
- Giant Sunhorse
- Violent Rose
- Thorjon
- Silver Passion Mine
- Tracks
- Sing To Me
- Hey Mr. President
- Sounds Of Pleasure
Mark “Moogy” Klingman – Moogy [Vinyl] (1972)
Artist: Mark “Moogy” Klingman
Title: Moogy
Year: 1972
Format: LP
Label: Capitol
Mark “Moogy” Klingman (born 7 September 1950, in New York City, New York, USA), was a founding member of Todd Rundgren’s musical team Utopia and later became a solo recording artist and songwriter.
The biography of Mark Klingman, and how he acquired his nickname of “Moogy,” were not widely known as of January 2010. Although “Moogy” rhymes with “boogie” rather than “hoagie,” he and his nickname rose to fame as Moog synthesizers dominated the market for his main instrument, electronic keyboards.
Klingman grew up in the Long Island suburb of Great Neck, New York. By age 10 he was collecting not just the usual comic books but 45rpm records, playing DJ in his basement. Through his older sister, he got an access pass to attend the 1965 Newport Folk Festival performance where Bob Dylan famously “went electric,” hanging out with Dylan before and after.
Back home, his band The Living Few recorded a demo of Dylan songs and original tunes. Then, at 16, he joined Jimmy James and the Blue Flames with Jimi Hendrix and Randy California. His jug band performance with schoolmate Andy Kaufman in a controversial civil rights concert resulted in his expulsion from high school. By then, his band Glitterhouse had made records with the star producer Bob Crewe, as well as Crewe’s soundtrack to the 1968 Roger Vadim film Barbarella with Jane Fonda.
Klingman’s association with Todd Rundgren commenced in 1969. Moogy was the original keyboardist for Todd Rundgren and Utopia. In his Manhattan loft, he and Rundgren constructed the “Secret Sound” recording studio where Rundgren produced his A Wizard, A True Star, Todd, and other albums. He played on 10 Todd Rundgren albums, as well as several Utopia albums.
Klingman played keyboards and produced a record for Bob Dylan – “Buckets Of Rain” – a duet Dylan did with Bette Midler. Through Rundgren, Klingman became the executive producer and musical director of the Music From Free Creek “supersession” project, which featured the participation of such internationally renowned artists as Eric Clapton, Jeff Beck, Keith Emerson, Mitch Mitchell, Harvey Mandel and Linda Ronstadt.
He has also played live for Chuck Berry, Jimi Hendrix, Buzzy Linhart and in the 90′s – with members of the Allman Brothers/Gov’t Mule and a summer tour with blues legend, Bo Diddley. Klingman has performed at many legendary venues with various groups. From Carnegie Hall to Radio City Music hall from NYC’s Bottom line to Live radio concerts on WBAI FM and K-ROCK.
Klingman is the co-founder of the band The Peaceniks, along with Barry Gruber.
Klingman has had solo albums out on Capitol and EMI records, as well as on his own label. Klingman has released several solo albums containing songs that went on to be recorded by people like Johnny Winter, Eric Clapton, Barry Manilow, Bette Midler, Todd Rundgren and others.
He wrote the song “Dust in the Wind” (not to be confused with the hit song of the same name by Kansas), which Todd Rundgren recorded on his Something/Anything? album and Guns N’ Roses have occasionally performed live in concert.
Klingman collaborated with William “Buzzy” Linhart on the authorship and composition of the selection (You Got To Have) Friends, which soon became Bette Midler’s de facto theme song. He produced and played keyboards for Midler on her “Songs for the New Depression”.
Klingman has played, recorded and/or had his songs covered by many rock legends, including Jimi Hendrix, Chuck Berry, Luther Vandross, Bob Dylan, Bo Diddley, Eric Clapton, Jeff Beck, Allan Woody and Warren Haynes from the Allman Brothers & Gov’t Mule. Klingman has also worked with great female rockers like Carly Simon, Cindy Lauper, Shawn Colvin, Irene Cara, and Thelma Houston.
Klingman also played in the “Moogy/Woody Band” with Allman Brothers alumni Allan Woody, and Warren Haynes. A recent benefit concert (Feb 2011) for Klingman’s medical expenses due to cancer saw the original Todd Rundgren’s Utopia, featuring Ralph Schuckett, Kevin Ellman, John Siegler and Klingman, reunite on stage for the first time in well over thirty years. (Wikipedia)
Track Listing
- I Can Love
- Liz, When You Waltz
- Kindness
- Crying In The Sunshine
- Kilpatrik’s Defeat
- Just A Sinner
- Making The Rounds At Midnight
- On Your Own
- Tonight I Want To Love Me A Stranger
- The Sun And The Moon
- Me And Richard
- The Man At Ease
Free Creek – Music From Free Creek (1973)
Artist: Free Creek
Title: Music From Free Creek
Year: 1973
Format: LP
Label: The Famous Charisma Label
“Music From Free Creek” is an album from a series of 1969 “super session” recordings by Free Creek, a group composed of a number of internationally renowned musical artists of the time, including Eric Clapton, Jeff Beck, Keith Emerson, Mitch Mitchell and Linda Ronstadt.
As described by one reviewer, “Music From Free Creek” is a super session album, where the musicians are playing for the fun of it, and that comes across. The material doesn’t get bogged down in names; it just flows. (Wikipedia)
According to the liner notes, “Music From Free Creek” was an almost spontaneous recording session featuring dozens and dozens of musicians who met by chance in Manhattan and went over to Madison Square Garden and were able to record there with a recording truck left over from a Grand Funk Railroad concert recording two months previous.
Whether you believe that or not is up to. What can’t be denied is that a lot of musicians did appear on this double album including Todd Rundgren, Roy Markowitz from Janis Joplin’s band, Moogy Klingman from the Vagrants, the horn section from Buddy Rich, Blood, Sweat & Tears, and Woody Hermans Band, Keith Emerson of Emerson, Lake & Palmer, Mitch Mitchell from Jimi Hendrix, Jazz bassist Chuck Rainey, Buzzy Feiten from Paul Butterfields Blues Band, Harvey Mandel, Jimmy Greenspan from Three Dog Night, Doctor John, Red Rhodes from the Byrds, Bernie Leadon from Flying Burrito Brothers, and many others did get together and record 18 cover songs to make up “Music From Free Creek“.
The reason why I was interested in the session was that it opens up with a fine rendition of “Cissy Strut” that captures the funkiness of the original with the addition of some blasting horns. Thats followed by a nice bluesy rendition of the Jazz standard “Freedom Jazz Dance”.
A little percussion and drum break leads into a bass line and “Sympathy For The Devil” with another short break in the middle. There’s another drum break during “On The Rebound”. Heavy organ playing by Moogy Kingman and Bob Smith, backed by the pounding drums of Roy Markowitz mark an instrumental take on “Working In A Coalmine”. “Lay Lady Lay”, “Hey Jude”, and a nice laidback and bluesy “Getting Back To Molly” with singing by Dr. John are also worth a listen. Who would of thought this record would be so good, especially given the cover art. (Soulstrut)
Track Listing
- Cissy Strut (Jeff Beck Session)
- Freedom Jazz Dance (Keith Emerson Session)
- Sympathy For The Devil (Harvey Mandel Session)
- Mother Nature’s Son (Keith Emerson Session)
- Road Song (Eric Clapton Session)
- Lay Lady Lay (Moogy Klingman Session)
- Hey Jude (Moogy Klingman Session)
- He Darked The Sun (Linda Ronstadt Session)
- Earle’s Shuffle (Harvey Mandel Session)
- Getting Back To Molly (Eric Clapton Session)
- Cherry Picker (Jeff Beck Session)
- Kilpartrick’s Defeat (Moogy Klingman Session)
- The Girl From Ipanema (Harvey Mandel Session)
- No One Knows (Eric Clapton Session)
- Living Like A Fool (Linda Ronstadt Session)
- Working In The Coalmine (Jeff Beck Session)
- Big City Woman (Jeff Beck Session)
- On The Rebound (Keith Emerson Session)
Elijah – Elijah Fanfares (1973)
Artist: Elijah
Title: Elijah Fanfares
Year: 1973
Format: LP
Label: MCA Sounds Of The South
Here’s the second album by the southern U.S. funky Brass-rockin’ congregation Elijah with a nice mix of rock and blues with soulful vocal harmonies that was released in 1973 and produced by Al Kooper.
Please reference their first album, Elijah post (April 6, 2011) and the Ever-Green Blues “7 Do Eleven” post (August 4, 2010) and The Evergreen Blues “Comin’ On” post (December 2, 2010) for more info. (Howard Hales Broom)
Track Listing
- It’s Easy
- Get Your Run Out
- You’ll Never Keep The Woman Satisfied
- L.A. Nites
- Come On In
- My Baby OOOO
- You Don’t Know Nothin’ About Love
- Wishful Thinking
- A Good Thing (I’m On Fire)
- Baby Workout
The Loading Zone – One For All (1967)
Artist: The Loading Zone
Title: One For All
Year: 1967
Format: LP
Label: Umbrella
Brought To You Courtesy Of The BIG “N”
The Loading Zone’s first incarnation featured bassist Bob Kridle, drummer George Newcom, and guitarists Pete Shapiro and Steve Dowler, who had both left Berkeley’s early psychedelic rock band the Marbles. The group would later make several personnel changes adding vocalist Linda Tillery while releasing an album for RCA Victor in 1968 (see March 29, 2010 post.)
The Loading Zone was playing a form of jazz rock funk free fusion and was unfortunately greatly overlooked by the generally unsophisticated audiences at that time. This album was recorded in 1967 before fusion got fused and the word had a completely different meaning.
The audiences were mostly very stoned (I know because I was there) and the music of The Airplane was closer to their hearts. Not that the Airplane was bad, just unsophisticated. But listening to this album now is very interesting in that it doesn’t sound so strange at all. (styxheelder RYM)
Track Listing
- Think
- Time Stops
- Help Me
- Think Alone
- One For All
- You Got Me Hummin’
- Enter
The Fun And Games – Elephant Candy (1968)
Artist: The Fun And Games
Title: Elephant Candy
Year: 1968
Format: LP
Label: UNI
This is a lovely little harmony/psych/bubblegum-pop record produced by the great Gary Zekely (the Yellow Balloon, the Clique). It was released on the UNI label in 1968, and is consistent with the high standard of quality their A&R department was known for at the time.
This album sounds a bit like what you’d get if you blended equal amounts of Tommy James, the Association and the Beach Boys (they do a nice cover “Don’t Worry Baby”). If you dig those artists I mentioned, you can’t go wrong with the Fun & Games. The CD has finally been re-issued by Rev-ola with bonus tracks. (jasonbear RYM)
Track Listing
- Sadie
- The Grooviest Girl In The World
- Close To Carmel
- Topanga Canyon Road
- Tuesday, Tuesday
- Gotta Say Goodbye
- Don’t Worry Baby
- Elephant Candy
- Something I Wrote
- The Way She Smiles
- It Must Have Been The Wind
The Clique – The Clique (1969)
Artist: The Clique
Title: The Clique
Year: 1969
Format: LP
Label: White Whale
Picked by White Whale (then hot with The Turtles), 1969′s “The Clique” teamed the band with producer Gary Zekley. Zekley was also credited with co-writing the majority of the eleven songs.
Musically the album offered up an engaging set of radio-ready pop-rock with occasional psych touches. While the liner notes didn’t show much in the way of performance credits, material such as “My Darkest Hour” and “I’ll Hold Out My Hand” found a nice balance between lightweight psych, blue-eyed soul and top-40 pop. Bet Felix Cavaliere and The Young Rascals would have liked to have had a shot at recording something like “Hallelujah”.
Best of the lot was the strange “Superman” (and you thought Michael Stipe and company wrote it). No the set wasn’t perfect. A cover of The Bee Gee’s “Holiday” and the bland ballad “I’ll Hold Out My Hand” were unnecessary. Certainly not the year’s most original offering, but a cool period piece that’s still fun to listen to. (Bad Cat)
Track Listing
- Sugar On Sunday
- My Darkest Hour
- Holiday
- Hallelujah
- I’ll Hold Out My Hand
- Little Miss Lucy
- Judy, Judy, Judy
- Soul Mates
- (There Ain’t) No Such Thing As Love
- Superman
The Yellow Balloon – The Yellow Balloon (1967)
Artist: The Yellow Balloon
Title: The Yellow Balloon
Year: 1967
Format: LP
Label: Canterbury
A poor man’s Beach Boys. Well, that’s put it a little harsh, but I can’t help feeling a disappointment. When folks are raving about some artist/band, whose style seem just the right for you, it’s easy to expect quite a lot.
It seems that Gary Zekley was to Yellow Balloon what Gary Usher was to Sagittarius. Both “groups” were studio projects, but when Usher had a fine singer/songwriter Curt Boettcher with him, Zekley wasn’t that lucky. The singer here, Alex Valdez is very mediocre, and though the harmonies are good, they are not the same calibre like those of the Beach Boys.
Songs are pleasant but pretty lightweight. They don’t grab your attention and shout: “Hey! listen to this and listen carefully!!”. The opening “How Can I Be Down” and the hit single “Yellow Balloon” are hands down the true highlights, and also the ones where you can hear Beach Boys influence most clearly. In the late 1965/early 1966 they could have been very nice BB -singles indeed. (Tiia RYM)
Track Listing
- How Can I Be Down
- Stained Glass Window
- Baby Baby It’s You
- Panama Red
- I’ve Got A Feeling For Love
- Yellow Baloon
- Good Feelin’ Time
- Follow The Sunshine
- Springtime Girl
- Can’t Get Enough Of Your Love
- Junk Maker Shoppe
Steve Baron Quartet – The Mother Of Us All [Vinyl] (1969)
Artist: Steve Baron Quartet
Title: The Mother Of Us All
Year: 1969
Format: LP
Label: Tetragrammaton
The Steve Baron Quartet recorded an obscure album in 1969, “The Mother Of Us All”, that combined Baroque folk-rock with some psychedelia, jazz, orchestration, pop, and singer/songwriter balladry in an unusual if erratic manner.
Prior to the album, Steve Baron had been in the Hardly-Worthit Players (see April 16, 2011 posts of their two albums), a satirical group that had a Top 20 hit (credited to Senator Bobby in 1967) with a takeoff on “Wild Thing,” featuring a lead vocal that was an obvious facsimile of then-Senator Robert F. Kennedy.
Baron also wrote a song, “Loneliness,” that was recorded by Jim & Jean on their 1966 folk-rock album, “Changes” (see January 18, 2010 post).
“This is one of those obscure and completely forgotten musical gems recorded and released in the late 1960s, only to disappear from the face of the earth for many years and pop up again recently as one of the thousands of albums frantically reissued by specialist labels.
American singer / songwriter Steve Baron created his group called Steve Baron Quartet with a few young Jazz oriented players and recorded this single album after playing with them for about a couple of years. Baron wrote all the songs on the album, which are a strange and beautiful mixture of Folk, Psychedelics and Jazz, as appropriate for the time when everything in music was allowed and possible.
Most of the album is song oriented, but on a couple of tracks (and especially the final 11 minutes long track closing the album) long instrumental Jazz improvisations are present, showing the great talent of guitarist Bill Davidson and pianist Tom Winer.
It’s very difficult to classify this album genre wise, so for lack of better terms I’ve placed it under Jazz-Rock, but it really is beyond any specific genre, just wonderful. Listening to this obscure gem makes me always wonder how many more such great recordings remain hidden in the past.” (Jazzis RYM)
Track Listing
- Bertha Was The Mother Of Us All
- Don’t You Hate The Feeling
- I Sang About My Lady
- In The Middle
- Lonely River
- Goodbye Road
- Mr. Green
- Love Me Laura
- God Never Lived For Me
- Shadow Man





