Skip to content

Recent Articles

21
May

Hugh Montenegro – Dawn Of Dylan (1971)

Dawn

Artist: Hugh Montenegro
Title: Dawn Of Dylan
Year: 1970
Format: LP
Label: GWP

Imagine a rock & roll version of the Ray Coniff Singers put together by the composer of the soundtrack to the film Hurry Sundown, covering the ten tunes by Bob Dylan which the public found his most recognizable at this point in time.

That’s the product of the man who had a number one hit with The Good, the Bad and the Ugly, the tune from the 1968 Clint Eastwood film. The singers and musicians are not listed; only the producer, arranger, conductor, album coordinator, and engineers.

Great art it is not, but as a piece of pop history it is pretty intriguing. “Lay Lady Lay” is ridiculous, but they do it all straight-faced. This isn’t Patty Duke attempting to sing on her Valley of the Dolls album, nor is it Mrs. Miller being a total farce, but it inadvertently comes off just as whimsical.

Songs like “The Times They Are a Changin’” call for grit and a rough edge, and what they have here is the complete opposite. If Montenegro was going to be this bold why didn’t he include “Masters of War”? Or take it a step further and follow this album up with an early-’70s tribute to Black Sabbath?

A lone flower adorns the front and back cover, and it looks like one of those Pickwick budget deals, but the shame of it is “The Good, the Bad & the Ugly” was a monster hit with unique and thought provoking sounds. There is none of that here.

The name Hugo Montenegro splashed on this cover makes it appear like the listener is going to get stunning original re-creations of Bob Dylan’s music.

Now had they given “The Mighty Quinn” and “Like a Rolling Stone” that deep, dark, mysterious music which burst out of the Clint Eastwood film instead of this second rate attempt to cop Ray Conniff’s riffs, this would be a masterpiece.

Liz Damon’s Orient Express does it much better on “1900 Yesterday,” and they don’t prostitute Bob Dylan’s name in the process to try to sell some records. Could’ve have been much more, but it isn’t. (Allmusic)

Track Listing

  1. Like A Rolling Stone
  2. The Times They Are A-Changn’
  3. Blowin’ In The Wind
  4. She Belongs To Me
  5. Lay Lady Lay
  6. It Ain’t Me Babe
  7. The Mighty Quinn (Quinn The Eskimo)
  8. Don’t Think Twice, It’s All Right
  9. Mr. Tambourine Man
  10. My Back Pages


20
May

The Anita Kerr Singers – All You Need Is Love (1967)

Kerr

Artist: The Anita Kerr Singers
Title: All You Need Is Love
Year: 1967
Format: LP
Label: Warner Brothers

The multi-talented, Nashville-based Anita Kerr had been a studio arranger and behind-the-scenes mover and shaker in Music City USA for nearly two decades when she signed with Warner Brothers in the mid-’60s. Her fourth LP bore the optimistic title All You Need Is Love (1967).

In addition to remaking the Beatles’ Summer of Love anthem, Kerr (soprano/soloist) leads her ensemble — which also consists of B. J. Baker (alto), Gene Merlino (tenor), and Bob Tebow (bass) — through an assortment of contemporaneous light rock and pop. Some of the re-arrangements work better than others in a choral setting.

For instance, the Bee Gees’ languid “Holiday” is exquisite and moody with Kerr’s voice hovering over the ensemble for an ethereal listening experience that is particularly recommended for those who like the original.

The Addrisi Brothers-penned “Never My Love” bears the same harmonic earmarks and complexities as the Association’s hit version with the buoyancy of Kerr’s gliding vocals. From the Bacharach/David songbook comes arguably the most endearing inclusion of them all, Kerr’s interpretation of “The Look of Love.”

It retains all of the mystique and subtle charm of Dusty Springfield or Dame Shirley Bassey without becoming too instrumentally watered down or vocally tarted up. While not quite on par with the previously mentioned tunes, for the remake of “How Can I Be Sure?,”

Kerr and company match the minor-chord noir, yet can’t seem to believably pull off the blue-eyed soul ingrained within the Rascals’ formidable grooves.

And to the same point, Kerr perhaps would have been better served having shelved the utilitarian choral reading of “(You Make Me Feel) Like a Natural Woman.

Clearly, Aretha she ain’t! And for her next album Sounds (1968), the Anita Kerr Singers returned to delivering selections that are uniformly better suited to the combo’s strengths. (Allmusic)

Track Listing

  1. All You Need Is Love
  2. Holiday
  3. (You Make Me Feel Like) A Natural Woman
  4. Never My Love
  5. Stay
  6. How Can I Be Sure
  7. Autumn Afternoon
  8. No Salt On Her Tail
  9. The Look Of Love
  10. In The Morning
  11. I Make A Fool Of Myself
  12. Last Waltz


14
May

Dave Antrell – Dave Antrell (1970)

Antrell

Artist: Dave Antrell
Title: Dave Antrell
Year: 1970
Format: LP
Label: Amaret

Dave Antrell. This is his contribution. Singer, songwriter, musician. A giant for the ’70s. Like the great contributors of the ’60s – Dylan, McKuen, Webb, Lennon & McCartney – Antrell also is more than just a singer and a songwriter, Antrell is a philosophy.

In a world disturbed, dave antrell’s songs ring with optimism; a rare poet painting pictures of love and hope. Sometimes they’re of lost love (“Sunset”), and sometimes of happier moments (“Straight From a Rainbow”). The songs are Antrell’s contributions; he is the vehicle. Antrell’s voice is a rare blend. It combines the driving joy of a Bobby Sherman and the haunting strains of a Paul Simon.

It’s upbeat and bright (“Takin’ No Chances”), soft and tender (“Karen”), thoughtful and reflective (“For Isaiah 2:4″). Dave Antrell is an entertainer of the ’70s. A beautiful person with a brilliant message. One that rings with meaning. It is Dave Antrell’s message. And, his contribution. (album liner notes)

Track Listing

  1. Straight From A Rainbow
  2. Her World Of Sweet Pretend
  3. Midnight Sunshine
  4. Karen
  5. Lost A Dream
  6. Lost A Dream (See The People Going Down)
  7. The Clock Strikes Twelve
  8. For Isaiah 2:4
  9. Children Of The Sun
  10. Sunset
  11. I’m Taking No Chances


10
May

Hal Blaine – Have Fun!!! Play Drums!!! (1968)

Blaine

Artist: Hal Blaine
Title: Have Fun!!! Play Drums!!!
Year: 1968
Format: LP
Label: Dunhill

The busiest West Coast drummer of “Up, Up and Away”, “MacArthur Park” and “Windy” drumming fame, comes up with a clever package of instructions for playing drums.

LP includes printed photo instructions plus disk with Blaine himself narrating the basics of learning on one side and “play-along with Blaine” on the flip. A must for aspiring contemporary drummers. (Billboard Magazine)

Track Listing

  1. Solo
  2. Let’s Play Drums Intro
  3. Playing The Straight 8 Feel
  4. Playing The Shuffle Feel
  5. You Take It From Here
  6. Topsy
  7. Secret Agent Man
  8. Rumble
  9. Drums A-Go-Go
  10. The Swinger
  11. The Invaders


5
May

Frank Zappa – Lumpy Gravy [Mono Promo] (1968)

Lg

Artist: Frank Zappa
Title: Lumpy Gravy
Year: 1968
Format: LP
Label: Verve

Verve Records Original Yellow Label Promo

From Paul E Curtis:

I own a monaural promo copy of this LP, and unlike the first three Mothers albums, this is simply a reduction of the stereo mix (with perhaps a bit of added compression, to make it sound better on radio). I’ve never seen any stock copies of the mono Lumpy Gravy, but it’s possible that they exist – according to the Billboard album chart for 8 June 1968, it was available in both mono and stereo.

Lumpy Gravy is the debut solo album by Frank Zappa, recorded with a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. It is his third album overall. Released on August 7, 1967 on Capitol Records, it was subsequently reedited and reissued by Verve Records, and later reissued independently by Zappa.

In its original incarnation, Lumpy Gravy served as an album of orchestral music written by Zappa and performed by an orchestra assembled for the album. Zappa conducted the orchestra’s performance, and did not perform any instrument on the album. However, MGM Records claimed that the album’s production and release violated Zappa’s contract with Verve Records.

Lumpy Gravy was subsequently reedited by Zappa as part of a project called No Commercial Potential, which produced three other albums: We’re Only in It for the Money, Cruising with Ruben & the Jets and Uncle Meat The reedited Lumpy Gravy, released by Verve on May 13, 1968, consisted of two musique concrète pieces which combined elements from the original orchestral performance with elements of surf music and spoken word dialogue.

Produced simultaneously with We’re Only in It for the Money, the reedited Lumpy Gravy served as the second part of a conceptual continuity which later included Zappa’s final album, Civilization Phaze III. The reedited Lumpy Gravy was critically appraised for its unique music and innovative editing techniques. (Wikipedia)

Track Listing

  1. Lumpy Gravy Part I
  2. Lumpy Gravy Part II


4
May

The Mothers Of Invention – Cruising With Ruben & The Jets [Promo Lp] (1968)

Jets

Artist: The Mothers Of Invention
Title: Cruising With Ruben & The Jets
Year: 1968
Format: LP
Label: Verve

Cruising with Ruben & the Jets is the fourth studio album by the Mothers of Invention. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it was subsequently remixed by Frank Zappa and reissued independently.

As with the band’s previous three albums, it is a concept album, influenced by 1950s doo wop and rock and roll. The album’s concept deals with a fictitious doo wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs

It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We’re Only in It for the Money and Uncle Meat. (Wikipedia Excerpt)

Track Listing

  1. Cheap Thrills
  2. Love Of My Life
  3. How Could I Be Such A Fool
  4. Deseri
  5. I’m Not Satisfied
  6. Jelly Roll Gum Drop
  7. Anything
  8. Later That Night
  9. You Didn’t Try To Call Me
  10. Fountain Of Love
  11. “No. No. No.”
  12. Anyway The Wind Blows
  13. Stuff Up The Cracks


4
May

The Mothers Of Invention – Uncle Meat [Original Vinyl Version] (1968)

Um

Artist: The Mothers Of Invention
Title: Uncle Meat
Year: 1968
Format: LP
Label: Bizarre Reprise

Uncle Meat is the fifth studio album by the Mothers of Invention, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We’re Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.

The album also served as a soundtrack album to a proposed science fiction film which would not be completed, though a direct-to-video film containing test footage from the project was released by Zappa in 1987.

The music is diverse in style, drawing from orchestral, jazz, blues and rock music. Uncle Meat was a commercial success upon release, and has been highly acclaimed for its innovative recording and editing techniques, including experiments in tape speed and overdubbing, and diverse sound. (Wikipedia)

Track Listing

  1. Uncle Meat: Main Title Theme
  2. The Voice Of Cheese
  3. 400 Days Of The Year
  4. Zolar Czakl
  5. Dog Breath, In The Year Of The Plague
  6. The Legend Of The Golden Arches
  7. The Mothers Play Louie Louie At The Royal Albert Hall London
  8. The Dog Breath Variations
  9. Sleeping In A Jar
  10. Our Bizarre Relationship
  11. The Uncle Meat Variations
  12. Electric Aunt Jemima
  13. Prelude To King Kong
  14. God Bless America (Live At The Whiskey A Go Go)
  15. A Pound For A Brown On The Bus
  16. Ian Underwood Whips It Out (Live On Stage In Copenhagen)
  17. Mr. Green Genes
  18. We Can Shoot You
  19. “If We’d All Been Living In California…”
  20. The Air
  21. Project
  22.  Cruising For Burger
  23. King Kong Itself (As Played By The Mothers In A Studio)
  24. King Kong (It’s Magnificence As Interpreted By Dom DeWild)
  25. King Kong (As Motorhead Explains It)
  26. King Kong (The Gardner Varieties)
  27. King Kong (As Played By 3 Deranged Good Humor Trucks)
  28. King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival… The Zappa_Underwood Ramifications)


3
May

The Mothers Of Invention – Mothermania The Best Of Mothers (1969)

Mania

Artist: The Mothers Of Invention
Title: Mothermania
Year: 1969
Format: LP
Label: Verve

Mothermania is a collection of previously released tunes culled from the first three Mothers of Invention albums. So why bother? Well, it’s the only early collection actually compiled by FZ. Verve released a bunch of early compilations without permission, but more importantly, this is the only place you can hear some of these mixes and edits.

Many of the tunes from Freak Out! appear in different mixes, while “It Can’t Happen Here” plays through without the interruptions of the Freak Out! version. The We’re Only In It for the Money tracks might be even more interesting. The backwards snippet that closes side one of the original WOIIFTM album was a censored verse from “Mother People,” and Mothermania is the only place you can hear the original uncensored version of the song.

The version of “Idiot Bastard Son” has an otherwise unheard instrumental introduction and a VERY different mix, and plays through without the edits and interruptions of the WOIIFTM version. Mothermania could hardly be called essential, but it does have some really interesting material that any hardcore fan of FZ’s early years would want to hear. (Allmusic)

Track Listing

  1. Brown Shoes Don’t Make It
  2. Mother People
  3. Duke Of Prunes
  4. Call Any Vegetable
  5. The Idiot Bastard Son
  6. It Can’t Happen Here
  7. You’re Probably Wondering Why I’m Here
  8. Who Are The Brain Police
  9. Plastic People
  10. Hungry Freaks, Daddy
  11. America Drinks & Goes Home


2
May

The Mothers Of Invention – The **** Of The Mothers (1969)

Mothers

Artist: The Mothers Of Invention
Title: The **** Of The Mothers
Year: 1969
Format: LP
Label: Verve

The **** of the Mothers is the first of three unauthorized compilations created by Verve/MGM after FZ left the label. It was also the second FZ record I ever owned (the first being Uncle Meat), so I have a real soft spot for it, even though it was dismissed by FZ himself (and almost everyone else) as a ripoff.

It was released July 1969, between Uncle Meat and Hot Rats. I got my copy at the Montgomery Ward department store in San Diego. I didn’t even know it was a compilation when I bought it; I thought the title was a joke (like Phil Ochs’s Greatest Hits).

Note the bizarre programming choice of including the second and third parts of the “Call Any Vegetable” suite, but not the primary part of the song. Conceptual continuity fiends/Watsonites may consider the positioning of “You Didn’t Try to Call Me” to be a kind of pun in progamming, meaning that Verve literally “didn’t try to call any vegetable” when they omitted that song …

The gatefold cover features a sort of junk collage/sculpture, distinctly reminiscent of Uncle Meat. Most of the objects in the sculpture are the sort of plastic trinkets I used to get out of gumball machines when I was a wee sprout: little skulls and devil faces, rats, toy bottles (one labelled “horse liniment”), tiny gorillas, miniature false teeth (again, reminiscent of Uncle Meat – and doesn’t “Tiny Gorillas” sound like a Zappa title?), mingled with tinted pix of the Mothers, a Chinese laundry list, stylized Zappa faces and other detritus, all in a sort of doll house setting.

There’s a “toilet mouth” image of FZ with what may be a drawing of a turd lurking inside the toilet. The title actually includes a row of those little toys (and a nut and bolt), represented by “****” on the spine and label. (This album predates Led Zeppelin’s unpronounceable title by over two years.) The word “MOTHERS” is spelled out in what looks like alphabet blocks.

Inside the cover are really nice B&W photos of FZ, Motorhead, Don Preston, Ray Collins, Art Tripp, Bunk Gardner and Ian Underwood. (No Roy or Jimmy Carl? Well, at least they appear on the outside.) Why all this detail?

Strangely enough, this is one of my very favorite FZ album covers. Hell, I really, really like this album, even if it’s mostly for nostalgia reasons. (Biffy The Elephant Shrew)

Track Listing

  1. Status Back Baby
  2. Wowie Zowie
  3. You Didn’t Try To Call Me
  4. Invocation & Ritual Dance Of The Young Pumpkin
  5. Soft-Sell Conclusions
  6. Bow-Tie Daddy
  7. Uncle Bernie’s Farm
  8. Concentration Moon
  9. Go Cry On Somebody Else’s Shoulder
  10. Flower Punk
  11. Motherly Love


2
May

The Mothers Of Invention – Absolutely Free [Mono Promo] (1967)

Moi2

Artist: The Mothers Of Invention
Title: Absolutely Free
Year: 1967
Format: LP
Label: Verve

This album is so old it was issued both in mono and stereo versions, and of course the mono version was a bit different. From someone who said “don’t quote me on this”: I used to own this record (maybe I still do. Perhaps I should look).

One notable difference (and this is from memory) is in the “Do it again, and do it some more” segment of “Brown Shoes Don’t Make It”. There is a percussion track in this section which is heard in the left speaker and, after a short delay, in the right speaker – or is it the other way around?

Well, anyway, the mono version mixes in this percussion track without the delayed track. Additionally, now that I think about it, the VOCAL on that particular section is slightly out-of-sync when compared to the stereo version. But don’t quote me on this (unless confirmed from another source).

From David G.:

No extended tracks that I can hear. And the “Brown Shoes Don’t Make It” issue: the delayed percussion track IS there, just very quiet, but ye gods, is the vocal out of sync! Just for this section, too; it sounds like it’s about half a beat late for the entire section. Probably a mistake.

From Paul E Curtis:

On “Status Back Baby”, just before the Stravinsky guitar solo, the ref’s whistle is heard at a slightly different point than on the stereo pressings.

To my ears, side one of Absolutely Free sounds like a reduction of the stereo mix, as does “America Drinks & Goes Home”; however, the remainder of side two sounds like a proper mono mix (albeit one which is very similar to the stereo version). (Internet Source)

Track Listing

  1. Plastic People
  2. The Duke Of Prunes
  3. Amnesia Vivace
  4. The Duke Regains His Chops
  5. Call Any Vegetable
  6. Invocation & Ritual Dance Of The Young Pumpkin
  7. Soft-Sell Conclusion & Ending Of Side #1
  8. America Drinks
  9. Status Back Baby
  10. Uncle Bernie’s Farm
  11. Son Of Suzy Creamcheese
  12. Brown Shoes Don’t Make It
  13. America Drinks & Goes Home


securePixels



Visitor Map